There are a lot of enticing questions that haunt “Tár,” Todd Field’s rapturously fascinating, dread-fueled, immersive drama about a symphony orchestra conductor, Lydia Tár (Cate Blanchett), who is living an above-the-clouds existence of art and fame and sensuality…until she isn’t. The movie, which feels like a documentary directed by Kubrick, is a kind of reality-based […]
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